Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Christ among the Doctors | Navicella xh | St Francis Giving his Cloak to a Poor Man | Feast of Herod | Last Judgment |
Related Artists:
Herman Han

Phoebe Traquair
The leading artist the Arts and Crafts movement in Edinburgh at the turn of the century , (1852-1936)
Frans Pourbus
Flemish Northern Renaissance Painter, ca.1545-1581 Painter, son of Pieter Pourbus. His work consists mainly of portraits and religious subjects, although he also executed a number of landscapes and history paintings. He worked mostly for the wealthy patrician class, and his work was instrumental in spreading the Romanism of Frans Floris (his teacher) throughout the Netherlands. It is probable that Frans Pourbus's earliest teaching was with his father in Bruges, but by 1564 he is recorded as working in the Antwerp studio of Floris. According to van Mander, Frans Pourbus and his fellow student Crispijn van den Broeck together completed an altarpiece by Floris after the latter's death in 1570. In 1566 Frans Pourbus married Susanna, a daughter of Cornelis Floris and niece of his master, and in 1569/70 he became a master in the Antwerp Guild of St Luke, though he retained his citizenship of Bruges. Gortzius Geldorp was his pupil in Antwerp in 1570. For Ghent Cathedral Frans painted Christ among the Doctors (the Viglius Altarpiece, 1571; in situ), which includes life-size portraits of Emperor Charles V, his son Philip, their secretary Viglius ab Aytta (d 1577), Jansenius, first Bishop of Ghent (d 1576), and the Duke of Alba. A decade later Pourbus executed the portrait of the Hoefnagel Family (c. 1581; Brussels, Mus. A. Anc.), shown grouped around a harpsichord playing musical instruments, in which the artist included a self-portrait (playing a lute) at the upper left. The picture was acquired in 1696 by Constantijn Huygens the younger from a cousin, a Hoefnagel descendant, in exchange for a horse; the young girl of 15 or 16 with a parrot in her hand was Huygens's grandmother. An inventory drawn up after Frans Pourbus death lists 20 portraits by him, many from the circle of the Duke of Anjou.